The Johnny Griffith Quintet

Johnny Griffith • Alto/Tenor Saxophones

Jeremy Pelt • Trumpet

Adrean Farrugia• Piano

Jon Maharaj• Bass

Ethan Ardelli • Drums

LISTEN

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REVIEWS

EDWARD BLANCO - allaboutjazz "Saxophonist Johnny Griffith demonstrates here why he is one of the premier jazz players in Canada and the world, playing the instrument with energy and sophistication" Read More WBGO Radar - Tim Wilkins "Canada is a place where chops can grow - sometimes to epic proportions. A case in point is Toronto saxophonist Johnny Griffith" Read More Jazz Life Magazine - Japan Featured In Jazz Life Japan - click to read article Read More Chris Young - Toronto Star "Dance With The Lady really swings in a 60's Miles-Coltrane throwback and thrilling way" Read More Stuart Broomer - Whole Note Magazine "A kinetic player, pushing toward a raw expressionist edge, showing affinities with John Coltrane and the ancestral energies of rhythm & blues" Read More Art of Cool - Ben Gray "Outstanding solos from Griffith, Pelt, and Farrugia" Read More Jazz Weekly - George W. Harris "Modern hard bop as in the vintage days of Blue Note Records" Read More Jazz Buzz Σαξοφωνίστας από τη νέα γενιά της καναδικής τζαζ, ο Johnny Griffith κυκλοφορεί το “Dance with the lady”... Read More Jaymz Bee - Jazz FM91 "Johnny knocked one out of the park with this CD!" Read More O's Place Jazz Magazine Featured in O's Place - Jazz Magazine   Read More Allaboutjazz.com - Dan Bilawsky "Johnny Griffith manages to do what few artists are capable of doing: he blends the styles of the past and present while projecting the attitude of today." Read More Winnipeg Free Press - Chris Smith "Dance With The Lady really swings in a 60's Miles-Coltrane throwback and thrilling way." Read More Midwest Record "Griffith plays his axe like a New Yorker with something to prove. ...one bad cat that's going to be blazing his trail across the night time sky for some time to come" Read More Critical Jazz - Brent Black "Canada swings and Johnny Griffith is leading the charge, Dance With The Lady is stellar! Griffith has that compositional x-factor and is obviously as artistically gifted as he is technically proficient." Read More Improvijazzation Nation magazine - Rotcod Zzaj "These folks understand what jazz is really all about – FUN!" Read More Canadian Audiophile - Jordan Richardson "It pulses with melody and resonates with big splashes of the good stuff." Read More Ottawa Citizen - Peter Hum Toronto saxophonist Johnny Griffith has also drafted a hard-hitting New Yorker for his latest release, the solid post-bop... Read More Philadelphia Tribune - Bob Karlovits "Griffith's 'Dance With The Lady - A fresh, post-modern quintet" Read More

ABOUT THIS ALBUM

Track notes

The Zissou Predicament – An explosive hard-bop inspired tune, named for Johnny’s favor ite movie, the life aquatic. Steve Zissou: I’m going to find it and I’m going to destroy it. I don’t know how yet. Possibly with dynamite.”

Princess Aura Goes to Phyrgia a contemporary jazz composition named for Flash Gordon. Ming the Merciless’ daughter Aura, tries to convince Flash to join her on her secret pleasure moon Phrygia. This song is inspired by that moon and explores the third mode of the major scale…Phrygian.

Syrah, a dedication to one of Johnny’s true loves an open bottle on the back porch.

The Kuleshascope is named for Canadian Art Music composer Gary Kulesha. Uses twelve tone composition techniques…but sounds like Anton Webern met Black Sabbath and then went to a jazz club.

Mile Walk a brooding slow dark tune featuring Jeremy Pelt sounding very much like Miles Davis.

Cinders take its name from a trip to the ballet to see Prokofiev’s Cinderella. The tune takes it’s harmonic concepts from the Russian master composer , yet is very reminiscent of Kenny Wheeler’s style.

That Night Under The Bench, named for a time Johnny spent homeless in NYC. Afraid to sleep at night, he was sleep deprived and began to have delusions. The angular sax/bass introduction joined by the contrapuntal trumpet and piano melodies were written during that rough time he spent trying to stay awake…under a bench.

Credits

Released by G-B Records – gbrecords.ca

Recorded live to tape at Noble Street Studios toronto- August 15-16th 2014

produced by Jeremy Pelt & Johnny Griffith

Engineered, Mixed & Mastered by Stew Crookes – stewcrookes.com

Assistant engineer – Alex Krotz

all compositions by johnny griffith

original artwork by Martha Barron Griffith – marthagriffith.com

This album was made possible

thanks to the support of the FACTOR.

Photos by Dana Rogers – August 2015